The film has sparked significant discussion across Nigerian social media platforms, particularly on X (formerly Twitter), where users have shared varying opinions regarding the historical figure at its center, Efunroye Tinubu.
Tinubu (circa 1805–1887) was a notable Yoruba businesswoman and political leader in the 19th century, recognized for her substantial influence in both Lagos State and Abeokuta, the capital of Ogun State.
In a tweet dated October 22, 2024, the actress shared an image of the movie's cover, stating, “Power. Trade. Legacy. She was more than a warrior, she was a ruler who rewrote history.”
In response, some users praised the actress for highlighting the legacy of one of Yoruba's formidable women, while others criticized the biopic as unnecessary, arguing that Tinubu's wealth was largely derived from her involvement in the slave trade during that period.Power. Trade. Legacy. She was more than a warrior, she was a ruler who rewrote history. 🏹👑 ‘Efunroye: The Unicorn’ is coming to your screens soon!
— Faithia Williams (@FaithiaWilliams) October 22, 2024
Are you ready? #EfunroyeTheUnicorn #ComingSoon #FathiaWilliams #Nollywood pic.twitter.com/kYWBbuEQlc
David Hundeyin, an X user tweeting under the handle #DavidHundeyin, expressed his criticism of the film by claiming that Tinubu was an "ultimate slave trader."
His tweet, among others, read, “A deliberate decision was made to fund a Nigerian movie lionising not just ‘a’ slave trader but the ultimate slave trader, as in the Efunroye Tinubu herself. The one who decided she would rather sink a ship loaded with a cargo of kidnapped African human beings than reduce their asking price to the European buyers. That Efunroye Tinubu. This would be like getting Tyler Perry and Spike Lee to produce and direct a movie titled ‘Robert E. Lee: The Unicorn.'”
In addition, the 2023 Labour Party's gubernatorial candidate in Lagos State, Gbadebo Rhodes-Vivour, penned, “The Yoruba were the biggest victims of Madam Tinubu’s kidnapping, human trafficking and enslavement network. In the British attempt to end human trafficking and her ruthless opposition to it, she was exiled from Lagos. When Nigerians do DNA test like 23 and me, etc., they will see the number of unknown relatives they have scattered all across the Americas and the West Indies. They will realise how close and how deep this chapter of our history is. It is unfortunate that Nigerians are still dealing with a ruthless elite that amass their fortune at the detriment of their people.”
— Faithia Williams (@FaithiaWilliams) October 24, 2024In a statement posted on X, titled “My response to the reactions trailing my upcoming movie, Efunroye Tinubu,” the actress, who has gained widespread recognition in the country's film industry, expressed her gratitude for the support the movie has garnered.
She also emphasized that her response is prompted by the numerous “misunderstandings” related to the film.
Her tweet read, among others, “With over six million views on my post, I do not take your support for granted—your interest and feedback are truly appreciated. However, the passion and emotions surrounding this project (especially on Twitter), while inspiring, have led to some misconceptions that I would like to clarify.
“Firstly, “Efunroye: The Unicorn” is not a promotional piece intended to glorify or whitewash a divisive historical figure like Madam Efunroye Tinubu, nor does it carry any political intent or affiliation. This film is purely a work of artistic interpretation and storytelling. As a filmmaker, my goal is to bring Nigerian stories to life on screen, and this is no exception.
“The movie is an attempt to present Madam Tinubu’s life in a balanced and nuanced way, showcasing her triumphs, challenges, and the complex legacy she left behind. It is not an effort to reshape or glorify the historical narrative. Like all historical figures, Madam Tinubu’s story is layered, and this film aims to capture both her strengths and controversies.
”I want to emphasize that “Efunroye: The Unicorn” is first and foremost a creative expression meant to entertain, educate, and spark thoughtful conversations. It is not a documentary or a political statement. As with any artistic work, it draws from history but also takes creative liberties to make the story more engaging for modern audiences. I believe that through this film, we can explore important parts of our history, but it is important to understand that it remains a work of fiction inspired by real events.”
She emphasized that although the film is currently in the development phase, she is committed to telling this story in the most genuine and impactful manner possible.
The Nollywood industry has seen several biographical films that have resonated with audiences, such as Ayinla Omowura, Basorun Gaa, and Lisabi.