Museums, which conserve the immense collection of art amassed by the popes from the seventeenth century onwards to reopen Monday after virus closure.
The Vatican Museums, including the Sistine Chapel, said they will reopen on Monday after being closed for 88 days due to coronavirus restrictions — the longest closure since World War II.
The world-famous collections will open their doors to the
public from Monday to Saturday, but visitors must pre-book tickets and will be given
timed entry slots.
Curators used the closure, sparked by Italian government
measures introduced to stem the spread of Covid-19, to carry out maintenance
and refurbishment work.
That included careful dusting of 15th-century frescoes in
the Sistine Chapel, which normally attracts six million visitors a year.
“The Pope’s Museums await you with pleasure!” a statement
said.
The news comes amid an easing of coronavirus restrictions,
with all but five Italian regions put in the low-risk “yellow” category from
Monday.
That allows bars and restaurants to reopen during the day,
alongside museums.
Rome’s Colosseum and the Forum were also set to reopen on
Monday, although they are to remain closed on weekends.
The Italian islands of Sicily and Sardinia and regions of
Umbria, Puglia, and the autonomous province of South Tyrol are the only areas
still subjected to tighter curbs in mid-risk “orange” zones.
The entire country remains subject to a night-time curfew,
however, while table service at bars and restaurants must end at 6:00pm.
Italy was the first European country to face the full force
of the pandemic early in 2020.
A nationwide lockdown, the collapse of the tourist trade,
and widespread closures since then have plunged the economy into a deep recession,
while almost 88,000 people with the virus have died.
The birth of these museums was in the early 16th century. Pope Julius II founded them by purchasing the Vatican’s very first piece of art. This was a marble sculpture, known as “Laocoön and His Sons” which depicts three immaculately detailed figures fighting off writhing serpents.
What makes this story all the more fascinating is the fact that this sculpture was found in a vineyard near the Basilica di Santa Maria Maggiore on the outskirts of Rome and was just an installation in the vineyard. After some consultation from the Pope’s art ‘agents’, Julius II decided to make the first purchase and thus began the Vatican City’s enormous collection of artworks.
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