Desmond Elliot Credits Oshiomhole for Political Launch, Recounts Election Rivalry and #EndSARS Ordeal

Actor-turned-politician Desmond Elliot has publicly acknowledged the pivotal role played by former Edo State Governor Adams Oshiomhole in his entry into the political arena, specifically crediting him for facilitating his introduction to President Bola Tinubu.

In a recent interview with Chude Jideonwo, Elliot shared the story of his political genesis, stating, "One day, Oshiomhole took me to Asiwaju and said, ‘This is my son, and he’s interested in politics.’ Asiwaju looked at me and said he knew me already and liked me—it was still a surprise to me.” This encounter, he suggested, was a crucial step in his transition from entertainment to public service.

Navigating Political Rivalry and Colleague Support

Elliot also addressed his experience during the 2023 elections, where he faced competition from fellow actor Olumide Oworu. While clarifying that he harbored no personal animosity towards Oworu, he expressed disappointment over the endorsements Oworu received from some of their senior colleagues in the entertainment industry. "I wasn’t upset with him,” he said. “I was hurt by the veterans who endorsed him.” This statement highlights the complex dynamics of professional relationships within the Nigerian entertainment and political spheres.

Recalling the #EndSARS Protests and Personal Risk

The interview also touched upon Elliot's experiences during the tumultuous #EndSARS protests in 2020. He revealed a harrowing incident where he narrowly escaped an attack by unidentified individuals amidst the widespread demonstrations. The #EndSARS protests, which sought the disbandment of the Special Anti-Robbery Squad (SARS) due to allegations of extrajudicial killings and extortion, saw significant public outcry and unrest.

Elliot, who was serving as a lawmaker in the Lagos State House of Assembly at the time, faced considerable backlash for his controversial remarks during a plenary session, where he referred to Nigerian youths as “children.” This statement further fueled public anger and contributed to the tense atmosphere surrounding his political career during that period.

Elliot's open discussion of his political beginnings, his electoral experiences, and his encounters during the #EndSARS protests provides a glimpse into the complexities of navigating politics in Nigeria, particularly for those transitioning from the entertainment industry. His account reflects the challenges and personal risks involved in public service, as well as the intricate web of relationships that shape political careers.