The singer voiced his frustration following Billboard’s release of its “Top 50 Best Afrobeats Songs of All-Time” list, which left out his song despite what he described as its cultural dominance.
Taking to his X (formerly Twitter) account, Jaywon argued that This Year had more viral moments and lasting influence than some of the tracks featured on Billboard’s ranking.
“This Year by Jaywon had more viral moments and cultural impact than some tracks Billboard decided to rank. Trending since 2012 and still going strong. Tell me, who else has pulled that off? Hate is inevitable,” he wrote.
He further claimed that both gospel musicians and Afrobeats artists continue to borrow from the template of the song, particularly its celebratory theme that makes it a staple at cross-over services, festive gatherings, and New Year’s events.
Billboard’s list placed 2Baba’s African Queen at number one, followed by Wizkid’s Ojuelegba, Flavour’s Nwa Baby, Rema’s global smash Calm Down, and CKay’s Love Nwantiti. While those choices reflect commercial success and international reach, Jaywon maintains that no song has consistently shaped culture and tradition like This Year.
Since its release, the track has become a New Year anthem across Nigeria and in diaspora communities, often played in churches, homes, and parties to usher in fresh beginnings. Many music lovers have described it as a timeless record that blends spirituality with celebration, giving it a unique place in Nigerian pop culture.
Jaywon’s comments have reignited debates on how much weight should be given to commercial performance versus cultural longevity when ranking songs.