Funke Akindele-produced film offers a compelling twist on a familiar story, but its dream ending leaves too many questions unanswered

The search for love can sometimes become so consuming that people begin to ignore the warning signs right in front of them. In a society where marriage is often treated as a measure of achievement, the pressure to find “Mr Right” can push people into making choices they might otherwise question.

That familiar social reality is at the heart of ‘Where Is Mr Right?’, the Funke Akindele-produced film directed by Tunde Olaoye, which premiered on Prime Video on August 15.

The release also appears to reinforce a pattern Akindele may be establishing with her films. In 2025, she released ‘Finding Me’ and ‘Behind the Scenes’ on streaming platforms ahead of her major December cinema release. ‘Where Is Mr Right?’ follows a similar path, arriving on Prime Video before the filmmaker’s anticipated end-of-year theatrical offering.

At its core, the film deals with the familiar subject of societal pressure to get married. It examines the desperation that can accompany the search for love and how that desperation can affect judgment.

But rather than simply telling another story about a single woman desperately looking for a husband, the film introduces a darker twist that takes it into thriller territory.

Unfortunately, while the story builds towards an intriguing conclusion, the eventual ending does not quite deliver. The final revelation creates more questions than answers, leaving some of the situations and characters introduced earlier without sufficient explanation.

SYNOPSIS

Bunmi, a successful event planner, longs for the love, companionship and family life she has always wanted.

Her desire leads her to become fascinated by what appears to be the perfect marriage of her neighbours, Bridget and Femi. When Bridget introduces Bunmi to her charming brother, Dexy, the possibility of finally finding love seems within reach.

However, Bunmi soon becomes entangled in a dark secret involving Bridget and her husband.

What initially appears to be a straightforward search for love gradually turns into a dangerous web of deception, forcing Bunmi to confront the possibility that the perfect relationships she admires may be nothing more than carefully constructed illusions.

THE STRONG POINTS

Acting

One of the film’s strongest elements is its acting, particularly the performance of Omowunmi Dada.

Dada clearly understands the desperation required of Bunmi and communicates it effectively through both her dialogue and physical performance. She plays the character so convincingly that there are moments when the audience can become genuinely irritated with Bunmi and her decisions.

That reaction is, in itself, a testament to Dada’s performance. She does not simply tell the audience that Bunmi is desperate; she makes that desperation visible.

Blossom Chukwujekwu also gives his character enough personality and presence to make him believable, while the supporting cast largely hold their own and contribute to maintaining the film’s momentum.

Storytelling and suspense

The storytelling is another area where the film performs well.

The narrative is structured around several interconnected developments, with the various plot points gradually coming together as the story progresses. Importantly, the subplots do not feel entirely detached from the central narrative.

This structure helps the film maintain its suspense and prevents it from becoming just another predictable story about a woman desperate to get married.

The darker turn also gives the story an additional layer. Just when the audience might think it understands where the film is headed, the narrative introduces developments that complicate the situation.

That unpredictability works in the film’s favour for much of its runtime.

Relevant themes

The film’s themes are particularly relevant in a society where marriage continues to attract enormous social pressure.

People, particularly women, are often made to feel that there is a specific age by which they should be married, as though love and companionship operate according to a deadline.

‘Where Is Mr Right?’ explores the consequences of that pressure by showing how desperation can cloud judgment.

Bunmi’s longing for love becomes more than a personal desire; it becomes the lens through which she interprets the people and situations around her. The film asks an important question: what happens when the desire to find love becomes so overwhelming that a person stops seeing things clearly?

That is one of the film’s most thought-provoking aspects.

Cinematography and editing

Visually, the film is clean and well put together. The cinematography generally complements the story, although there are moments when the picture takes on a slightly greenish appearance that is noticeable.

The editing, however, works effectively. The use of L-cuts in several scenes helps transitions feel smoother and more natural, allowing dialogue and sound to carry across shots without making the changes feel abrupt.

These technical choices contribute to the film’s overall polish.

THE WEAK POINTS

An unsatisfying ending

The biggest problem with ‘Where Is Mr Right?’ is its ending.

After investing significant time in establishing its characters and building several storylines, the film ultimately reveals that everything was a dream.

The problem is not necessarily the use of a dream as a storytelling device. The problem is that the revelation does not provide enough clarity about what the audience has just watched.

Instead of tying the different threads together, the ending leaves several questions hanging.

Was the dream supposed to provide insight into Bunmi’s state of mind? Was it meant to represent the consequences of her desperation? Or was it simply a device to pull her out of the dangerous situations she had found herself in?

The film does not provide enough answers.

Bridget and Femi’s confusing relationship

The treatment of Bridget and Femi’s marriage is another source of confusion.

From the beginning, their supposedly perfect marriage is presented as toxic. Femi appears to be the abusive partner, particularly during a scene in which he aggressively grabs Bridget during an argument, with fear clearly visible on her face.

Yet the dream later presents Bridget as the toxic partner.

This creates an important unanswered question: what exactly is the audience supposed to believe about their marriage?

Was the initial portrayal deliberately misleading? Was the dream revealing a hidden reality? Or were both versions simply manifestations of Bunmi’s imagination?

The film does not provide enough information to resolve the contradiction.

Some actions feel forced

There are also moments within the dream where events appear to happen primarily because the story needs them to happen.

Dexy’s stabbing of Femi is one example.

The confrontation between the two men does not escalate naturally enough to make the stabbing feel completely convincing. Bunmi’s involvement in the situation raises even more questions.

Her desperation to find a husband is well established, but some of the choices she makes stretch the limits of believability.

For example, after discovering that a fight is taking place inside, why would Bunmi still enter? Why would she become so deeply involved in a crime that has nothing to do with her?

The film appears to suggest that her desperation explains these choices, but there is a limit to how far that explanation can go.

Bunmi’s characterisation

Bunmi gradually begins to feel less like a fully developed character and more like a device through which the story moves from one event to another.

There is nothing wrong with portraying a character whose desperation affects her judgment. In fact, that is one of the film’s central ideas.

However, the writing sometimes pushes Bunmi’s desperation so far that she begins to appear unnecessarily foolish.

This makes it harder for the audience to connect with her.

Her actions often feel less like believable consequences of her personality and more like things she must do to ensure that the next part of the plot can happen.

That distinction matters because a character’s poor decisions are more effective when the audience understands why the person would realistically make them.

VERDICT

‘Where Is Mr Right?’ is an interesting attempt to take the familiar Nigerian story of marriage pressure and give it a darker, more suspenseful direction.

Its strongest points are the performances, particularly Omowunmi Dada’s portrayal of Bunmi, the relevant themes, the interconnected storytelling and the suspense created by its unexpected turns.

But the film ultimately loses some of its impact with an ending that raises more questions than it answers. The dream revelation could have been effective if it had offered greater clarity or deeper insight into the events that came before it.

Instead, it leaves the audience wondering what was real, what was imagined and what the film was ultimately trying to say about Bunmi’s journey.

Rating: 6/10