The “Joker” star and vegan activist executive-produced
“Gunda,” a stripped-down, black-and-white movie delivering intimate portraits
of a cast of adorable farmyard animals.
The film has no narration, dialogue or plot. But as viewers
get to know Gunda the Norwegian pig and her litter of squealing newborn piglets
living their everyday lives, their inevitable fate looms.
“The life of piglets is obvious. They become sausages,” said
director Victor Kossakovsky.
“But Gunda, she became so famous… so many people stopped
eating meat (due to the film) that the owner of the farm decided she will live
until the end of her days.
“So at least one pig is alive after this.”
Phoenix and Kossakovsky will be hoping their documentary —
released Friday — could save many more.
The pair were introduced after Phoenix delivered an
emotionally charged acceptance speech at February’s Oscars ceremony.
The star decried how humans “feel entitled to artificially
inseminate a cow… and when she gives birth we steal her baby, even though her
cries of anguish are unmistakable.”
Crew members of Kossakovsky — accustomed to hearing him
deliver similar speeches every morning on set — immediately phoned the director
to ask if he had written Phoenix’s script.
“No, I’d never talked to him,” recalled a chuckling
Kossakovsky, whose producers then screened “Gunda” for Phoenix.
Phoenix recalled last week how he was “so moved” and had
“never had an experience quite like this.”
The actor immediately phoned Kossakovsky and told him:
“Finally someone made it — someone showed how animals are.”
“He was immediately part of the team… it was such a great
match,” Kossakovsky told AFP.
‘No voiceover, no messages’
Russian auteur Kossakovsky has won dozens of prestigious
awards and is well known to cinephiles, but acknowledges that Phoenix’s
Hollywood glamor helps the film and its message reach wider audiences.
Kossakovsky had a taste of the full extent of that lure when
he accidentally let slip the name of Phoenix’s newborn baby River — a tribute
to his late brother — at the Zurich film festival this summer.
“Suddenly 100 Russian newspaper, 100 European newspapers and
American newspapers heard… suddenly all of them mentioned my name, and the name
of my film,” he said.
Kossakovsky is nonetheless wary of the backlash that can
accompany Hollywood promotion of well-meaning causes.
Phoenix was lampooned for pledging to only wear one tuxedo
throughout awards season in order to promote sustainable fashion, while the
jet-set industry’s climate change campaigners are often accused of hypocrisy.
Kossakovsky’s film aims to sidestep accusations of lecturing
or manipulation by putting its animals front and center, with no voiceover or
even music.
“If I put music similar to ‘Schindler’s List’ — because the
subject is actually similar — the whole planet will cry,” he said.
“I said, ‘No, no, no voiceover, no messages, no music, no
sign of pushing, no sign of pressing… just watch, decide for yourself,'” added
Kossakovsky, a lifelong vegetarian who turned vegan during filming.
‘My Meryl Streep’
The method’s impact is most stark at the film’s arresting
conclusion, as the camera follows an increasingly distressed Gunda around the
farmyard as she panics over the fate of her piglets.
Her forlorn eyes as she stares straight down the camera lens
still haunt the director, who chose Gunda as his subject within seconds of
meeting the sow.
“She was my Meryl Streep… an amazingly special actress who
can submit emotion without even opening her mouth,” said Kossakovsky.
“We were planning for a four, six-month search. But the
first animal we met was Gunda.
“It was clear she was talking to me.”
“Gunda” is released on streaming via New York and Los
Angeles “virtual cinemas” Friday, and in theaters next year.
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