A global festival that's taken place across the world in
Portugal, Puerto Rico, and Ghana, Afro Nation's inaugural U.S. festival in
Miami split artists across two stages, the Piano People Stage and Main Stage,
spotlighting rising amapiano acts like Aya, Skyla Tylaa, Focalistic, Uncle
Waffles, Kelvin Momo, DBN Gogo, and Major League DJz. The South African genre
recently gained popularity during the 2020 lockdown and has since paralleled
the rise of Afrobeats with hits like Asake and Olamide's "Amapiano"
and Uncle Waffle's "Tanzania."
Afro Nation also recruited dancehall artists Mavado and
Shenseea (a last-minute replacement for Beenie Man's slot), Panamanian singer
Sech, and French singer Dadju to diversify the global lineup. Burna Boy and
Wizkid closed out the festival on Saturday and Sunday, respectively, performing
their hits that have taken the world by storm.
Day one kicked off with a vibrant performance from newcomer
Cuhdeejah on the Audiomack Amapiano stage. Backed by a troupe of dancers, the
Sierra Leonean-American singer unleashed her latest collaboration with none
other than Snoop Dogg, “Bad Mama Jama.” Acknowledging that many in the crowd
were discovering her music for the first time, Cuhdeejah told Variety after her
performance, “It made me feel profoundly blessed — to have the power to
captivate and move people with my words is an extraordinary gift.”
Later in the day, 21-year-old Ghanaian highlife singer Black
Sherif lit up the main stage with songs like his debut single, “First Sermon,”
the sequel, “Second Sermon,” and an array of fan favorites like “Kwaku the
Traveller.” After the set, Black Sherif marveled, “Moments like this feel
unreal, because a few short years ago only my household knew I could sing, and
now I’m overseas and people are singing my lyrics back to me. I feel very proud
to be choosing to be a part of the generation that’s changing the trajectory of
the culture.”
As day one continued, Asake performed a set packed with
jazzy versions of his songs and multiple singalongs. He also teased his new
album “Work of Art” (out June 16), and features Olamide on the track
“Amapiano.” Back at the Audiomack Amapiano stage, South African DJ Uncle
Waffles brought out a massive crowd with her Boiler Room-esque set, which saw
her leaving the DJ booth several times to perform intricate choreography with
her legion of dancers.
Miami-based amapiano DJ Aya's fusion of amapiano, hip-hop,
dancehall, and R&B has taken over parties like the Shrine and his monthly
fete, Stamped. He graced the Afro Nation stage for the first time and coalesced
the energy at the Piano People Stage like alchemy. He undergirded a blend of
R&B with amapiano grooves, giving songs from Beyoncé and Amerie a new
texture. He magnified the crowd's energy for two hours with electric South
African house music. His energetic set converted newbies to the genre into fans
as people waved their respective flags and danced together. Accompanied by
choreographed dancers, he heightened the weekend's energy and set the tone for
the rest of the amapiano DJs slated to perform. "South Africans have been
doing it for a while when it comes to electronic music," Aya says.
"There's a separation between West African Afrobeats, and then there's the
South African Afro-tech, Afro-house, amapiano scene, so having a space for one
and a space for the other was great."
Uncle Waffles, Dubbed the "princess of amapiano,"
the South African-based DJ and producer is taking over with her electronic
blends and electrifying dances. She began her foray into DJing in 2020, and
since then, she's taken over the charts in South Africa with hits like
"Tanzania." Donning bright green hair and flanked by dancers, she lit
up the night with a fusion of South African house and amapiano. A massive crowd
hugged the stage to watch her dance and cultivate a palpable blend. As the
glaring sun faded into the night, she evoked magnetic energy and left dancing
fans chanting, "Waffles, we want to party!"
Mavado, AKA the Gully God, stomped onto the main stage to
perform a slew of hits, including "Wah Dem a Do" and "Hope and
Pray." The longtime dancehall vet blazed through his set with some of his
biggest songs, igniting a wave of Caribbean flags around the stadium. Fans
chanted his lyrics as he bounced and jumped across the stage, exemplifying the
global impact of the Jamaican deejay's music.
Kelvin Momo set the energy for Afro Nation's second day with
a blend of South African house, amapiano, jazz, gospel, and R&B, known as
"private school amapiano." A throng danced and flocked to the Piano
People Stage as he transitioned from South African house to gospel to R&B
with a sleek tempo. He finessed through a soulful performance that showcased
his skills as a studied DJ and fully encompassed Sunday's cathartic atmosphere.
South Africa-based twin DJs Banele and Bandile Mbere have
established themselves as one of the most popular amapiano duos, performing
under the name Major League DJs. They recently teamed up with Major Lazer, made
up of South Florida natives Walshy Fire and Diplo, for their latest album,
Piano Republik. The pair injected the night with a cornucopia of South African
house music and amapiano. A tightly packed crowd raised their cups and flags to
the electric set, featuring surprise guest Kali who performed her viral smash
"Area Codes."
Day two kept the energy level high with strong sets from
Shenseea, Rema, Fireboy DML, and Major League DJz. Rema, who is currently
achieving global success with his single, “Calm Down” (featuring Selena Gomez,
currently No. 4 on the Billboard Hot 100) closed out his set with the track,
with fans loudly singing along with every line.
Later this year, Afro Nation will move to its next
destination, Detroit, on August 19-20, before embarking on a triumphant return
to Ghana in December.
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