Dr. Husseini recognized the profound influence of social media on the film sector, characterizing it as a double-edged sword. He stated, “While it has opened doors for youth participation and content creation, it has also facilitated piracy and other social issues.” He underscored the importance of education and awareness concerning the ramifications of piracy.
He called for intentional collaboration and capacity building to bridge the gap between Nollywood and other prominent film industries. “To effectively compete with global film markets, collaboration among Nigerian producers is essential,” he emphasized, referencing the Hollywood film “The Wedding Party,” which was a joint effort by four leading production companies.
Additionally, the Executive Director revealed plans to create a script-writing lab aimed at enhancing the skills of local writers.
Dr. Husseini mentioned that the proposed production labs would help mitigate the challenges faced by many Nigerian films in international markets.
He clarified that the Board has shifted from censoring films to classifying them, placing the onus of film rating on the filmmakers themselves, as the Board classifies based on identifiable elements within the films. For example, certain Muslim countries may prohibit the exhibition of films containing specific levels of nudity.
Despite these challenges, he expressed confidence that the establishment of the Production Labs would significantly improve filmmakers' skills. He acknowledged that Nollywood had an impressive year in 2024, despite the obstacles faced.
The Executive Director noted that the Nollywood film 'Queen Latifah' alone generated over 800 million naira at the box office during the Yuletide season. He also highlighted other successful films, including 'Anikulapo' by Kunle Afolayan, 'House Of GAA' and 'Funmilayo Ramsome Kuti' by Bolanle Austeen Peters, 'Tribe of Judah' by Funke Akindele, 'A Ghetto Love Story' by Bright Okpocha, and '7 Doors' by Femi Adebayo.
The head of the NFVCB credited the industry's achievements to the commitment and effort of filmmakers, along with supportive government initiatives. He mentioned that the Honourable Minister for Arts, Culture, Tourism, and the Creative Economy, Barrister Hannatu Musa Musawa, has secured accessible funding for stakeholders to obtain grants for their projects.
Dr. Husseini also pointed out the NFVCB’s role in fostering the industry's development, particularly in film advancement.
He revealed that the Honourable Minister has approved a proposal from the Board to offer a two-year waiver to investors who wish to establish at least five community cinemas. This initiative is designed to enhance revenue generation from the film sector and make cinema more accessible to the public at reasonable prices.
As the industry anticipates developments in 2025, Dr. Husseini expressed hope for its growth and international recognition.
He stressed the importance of having skilled professionals in various areas of film production and urged stakeholders to leverage government support and NFVCB initiatives to advance the industry.
He also identified funding, subpar production quality, and censorship as significant challenges confronting the sector.
Nevertheless, he expressed confidence that these issues would be resolved by 2025.
The Executive Director indicated that 2025 would bring improved funding strategies for stakeholders, enhanced partnerships with streaming services, a greater number of cinemas, and training programs for youth interested in the film industry.