Speaking with The Nation, Omileeyan credited his musical direction to the legendary influences of Fela Anikulapo Kuti, Dr. Orlando Owoh, and Alhaji Sikiru Ayinde Barrister, describing them as giants whose work connected with the grassroots while challenging authority.
“Fela Anikulapo Kuti (Abami Ẹda) taught fearlessness, ideology, and political consciousness; Orlando Owoh exemplified discipline, authenticity, and cultural elegance; while Ayinde Barrister demonstrated innovation, creativity, and social responsibility. From all three, I learned lifestyle discipline, belief systems, African cultural mindset, and strong spiritual identity,” he said.
Inspired by these icons, Omileeyan has incorporated traditional instruments such as the omele, gangan, and bata into his compositions, creating a signature sound that blends rhythmic authenticity with contemporary Afrobeat.
“My Yoruba ancestry profoundly shapes my music and storytelling through rhythmic complexity, tonal language, and oral traditions,” he explained. “It serves as a living archive bridging the past and the present, influencing genres such as Afrobeats, highlife, folklore, and African bush-centric jazz.”
Born in Ondo State but raised in Lagos, Omileeyan said living among the Awori community exposed him to diverse rhythms, street consciousness, and cultural fusion, which have become hallmarks of his creative vision.
Differentiating himself from mainstream Afrobeat artists, Omileeyan emphasizes spiritually driven, long-form compositions rather than short commercial hits. “I build upon the foundation of Afrobeat by merging political consciousness with complex musical structures. My music entertains, but it also preserves culture and serves as a tool for African pride,” he said.
The musician recently released two tracks, All We Wait For and Sisi Pelebe, and remains committed to blending traditional elements with modern sounds, aiming for a global audience without diluting authenticity.
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