Niyi Akinmolayan’s emotionally searing family drama My Mother Is a Witch has officially joined the exclusive club of Nollywood films to surpass the ₦100 million mark at the Nigerian box office, becoming the 50th title to reach this milestone.

Released on May 23, the film has struck a chord with audiences for its raw, unfiltered exploration of childhood trauma and the fragile path toward family reconciliation.

Starring Efe Irele in what many are calling a career-defining performance, the film also features powerhouse talents Mercy Aigbe, Timini Egbuson, and Neo Akpofure. Produced by Anthill Studios in collaboration with FrameFlixHQ, the drama centers on a daughter's uneasy reunion with her estranged mother, delivering a layered, character-driven narrative rich with emotional tension.

Written and directed by Akinmolayan, the film has drawn critical praise for its emotional honesty and nuanced storytelling. Akinmolayan, known for his ability to work across genres, is no stranger to box office success. His 2017 hit The Wedding Party 2: Destination Dubai remains one of the highest-grossing films in Nigerian cinema history. He followed it with Prophetess (2021), a sports-themed comedy that grossed over ₦130 million, and The Man for the Job (2022), a coming-of-age drama that further cemented his reputation for crafting stories that blend entertainment with depth.

For Irele, who also served as executive producer, My Mother Is a Witch represents more than a professional milestone—it’s a deeply personal journey.

“When I first came across the script, it wasn’t just the title that stood out—it was the emotional weight of the story,” she said. “The character I play is forced to confront years of unresolved pain. It’s a role that demanded everything from me, emotionally and creatively.”

At the heart of the film lies the volatile relationship between Irele’s character and her mother, played by Mercy Aigbe. Their scenes, charged with tension and vulnerability, offer an intimate look at the pain, silence, and longing that often define fractured family bonds.

“Working with Mercy was an honor,” Irele added. “She brought such depth to her role. Our scenes together felt like emotional excavation—digging through the silences and resentments that so many families live with but rarely name.”

With strong box office numbers and glowing critical reception, My Mother Is a Witch reinforces Akinmolayan’s place among Nollywood’s most versatile directors—one capable of crafting stories that resonate both commercially and emotionally.

The film’s ₦100 million success not only reflects Nollywood’s growing market strength but also highlights an increasing audience appetite for films that explore complex, often uncomfortable truths with empathy and artistry.