Sola Benson 

2025 proved a landmark year for Nigerian music star Adekunle Gold, culminating in a historic performance at the National Theatre on 26 December. The sold-out concert marked the reopening of the venue—renamed the Wole Soyinka Centre for Culture and Creative Arts—and positioned the afrobeats star as the first artist to headline a show at the renovated hall.

The event followed the release of his sixth album, ‘Fuji’, a bold, contemporary take on Fuji music that reflects the sounds of his upbringing. For Adekunle Gold, whose real name is Adekunle Kosoko, the performance carried personal significance: it was held in the same hall where he had sat as a child, inspired by legendary performers.

The evening opened with a dynamic introduction from rapper and YBNL boss Olamide Baddo, whose theatrical welcome set the tone for a night of grand performances. Adekunle Gold, supported by a 55-piece orchestra and his band, The 79th Element, reimagined his music with rich orchestral arrangements, giving fans a fresh experience of his catalogue.



The night’s highlights included guest appearances from Davido, who performed their hits “Only God Can Save Me” and “High”, and music legends Adewale Ayuba and Yinka Ayefele, who joined him for “Many People”. Each collaboration drew enthusiastic applause and added to the evening’s historic significance.

Between performances, Adekunle Gold addressed the audience directly, sharing an inspirational message: “Don’t stop dreaming, keep daring to be different, do everything on your own terms.” His words resonated with a diverse audience spanning families, millennials, and younger fans alike.

The concert not only celebrated Adekunle Gold’s achievements in 2025—including one of the year’s best albums and a standout single—but also marked a new chapter for live music in Nigeria, reaffirming the National Theatre as a premier stage for the country’s creative talent.