Christopher Nolan was still sleeping when his film, “Oppenheimer,” landed a leading 13 Academy Awards nominations Tuesday. Emma Thomas, Nolan’s wife and producing partner, roused him after a flurry of congratulatory messages came through on her phone.
“Don’t take it as being blase,” Nolan told The Associated
Press, laughing. “We just didn’t want to jinx anything. Watching the
nominations was more than our nerves could take so we just had a restless night
and slept through.”
Nolan and Thomas didn’t have much reason to be anxious.
“Oppenheimer,” Nolan’s sprawling American saga of J. Walter Oppenheimer and the
creation of the atomic bomb, has more or less been the Oscar frontrunner since
it made its acclaimed debut in late July. On Tuesday, it earned nominations for
seemingly every creative aspect of its achievement, including acting nods for
Cillian Murphy, Robert Downey Jr. and Emily Blunt.
“Oppenheimer” was nominated for Nolan’s direction and
adapted screenplay; for Hoyte van Hoytema’s cinematography; Jennifer Lame’s
editing; Ellen Mirojnick’s costume design; Ruth De Jong and Claire Kaufman’s
production design; Luisa Abel’s makeup and hairstyling; best sound; and Ludwig
Göransson’s score. It came one nomination shy of tying the record for best
Oscar nominations ever.
“It’s flabbergasting,” said Thomas who spoke with her
husband in an interview a few hours after nominations were announced. “Then we
got on with the routine of getting a 16-year-old out of bed, but with a spring
in our step.”
Though Nolan is regarded as the big-canvas auteur of his
era, he’s never won an Academy Award — nor have any of his films won best
picture. He was nominated for best director once before, for “Dunkirk.” But
Nolan’s absence from the movie’s biggest stage has often been more notable than
the honors his films have collected. After his “The Dark Knight” was overlooked
for best picture in 2009, the academy expanded the category beyond five films.
But this year’s Oscars may be leading toward a coronation
for the 53-year-old Nolan and a three-hour opus that broke records — and
Hollywood conventional reasoning — in grossing nearly $1 billion worldwide. On
Tuesday, he and Thomas reflected on the movie’s Oscar success. ___
Do you see the success of “Oppenheimer” as a statement
to the industry — which usually funnels big budgets only to sequels and remakes
— about what’s possible for an original film made with scale?
Nolan: I grew up loving Hollywood movies and believing
studio filmmaking can take on anything. Seeing audiences respond to that this
summer was incredibly thrilling and getting this kind of recognition from the
academy, I don’t know what to say, really. It certainly confirms our faith in
what studio filmmaking can be.
Have you reflected on why “Oppenheimer” has resonated so
much?
Nolan: It’s always a tricky thing to try to analyze the
zeitgeist or analyze success. We were really interested and excited, in
particular, to see young people responding to a piece of history. I keep coming
back to the unique nature of the story. I think it is one of the great American
stories. It encompasses so much that’s important and dramatic about our
history. That gives audiences a lot to hang to, when you get a great group of
actors and incredible cast like we have, you can make this feel real and emotionally
accessible. That’s as far as I can analyze its success. Beyond that, sometimes
you catch a wave and it’s a wonderful and unique thing.
Thomas: Oftentimes you think of history as being the ancient
past, and it’s not terribly relevant to today. But I think the unique thing
about the Oppenheimer story is that everything the movie deals with has direct
relevance to this moment in time as well. And so I think that’s something that
really touched audiences.
Nolan: Yeah, that’s a good point. When I first started on
the project, one of my kids said to me about nuclear weapons, people my age
don’t really worry about that so much. This was a couple of years ago. With
everything that’s going on in the world since, that’s very much changed. We
came along right at a time when people were beginning to worry about this
again, and worry about the fate of the world. Oppenheimer’s story is so
relevant to that — not just the threat of nuclear weapons but also the burgeoning
threat of AI and what it can do to our world.
Though your films have often been celebrated by the
academy, neither of you have won an Oscar. Does this year feel different?
Nolan: I think the breadth of recognition that we woke up to
this morning is something we haven’t experienced before, and it’s really
thrilling for us. It’s a very unique feeling to see in academy recognizing all
different aspects of the film, from the performances to the technical
achievement of the film. I mean, I grew up watching the Academy Awards. It’s
the pinnacle of sort of the recognition of your peers.
Do you see “Oppenheimer” as the culmination of your
collaboration together?
Thomas: It definitely feels like a film that was made with
all the things we’ve learned together over the years. It all came together on
this film. But I’m hoping it’s not the culmination. I’m hoping that we’ll get
to make another one. (Laughs) We’re at the midway point!
Nolan: We’re just getting started! With every film, you try
to build on what you’ve learned previous films.
Any big plans to celebrate tonight?
Thomas: Well, we’ll probably be having dinner with our kids. We’ve got one who’s going back to college. We’ll have a family celebration, which feels entirely appropriate given the nature of our movie and the way we work. AP
0 comments:
Post a Comment